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國立成功大學 National Cheng Kung University

性別平等教育委員會 Gender Equity Education Committee

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最後更新日期

2026-10-04

[112性別影展暨映後座談(1)] 112/10/18(三)18:30~21:00《麵包情人 Money and Honey》

【成大性平會】112性別影展(1) 10/18 (Wed.) 18:30~21:00《麵包情人 Money and Honey》Welcome and enjoy!

【NCKU Gender Equity Education Committee】2023 Gender Film Festival & After Screening Talk(1): 《Money and Honey》Welcome and enjoy!

 

※時間Time:2023/ 10/18 (Wed.) 18:30~21:00

※地點Place:學生活動中心 B1國際會議廳第一演講室 Student Center B1 1st Lecture Room

※本講座已申請通識認證,請上成大活動資訊系統報名。

※報名連結Sign up here: https://reurl.cc/4WpZXR

※預告片Trailer: https://www.youtube.com/watch?v=YNqKRxtL4a0

※與談人:

★曾薰慧(成功大學台文系助理教授)

★董旭英(成功大學教育所教授)

《麵包情人 Money and Honey》

台灣 Taiwan | 2015 | 紀錄 | Color | 96 min | 普

【影片介紹】

*2012 台北電影節

*2012 台灣國際女性影展

*2012 台灣國際紀錄片影展 - 觀眾票選獎

為了讓兩個女兒念大學,來自菲律賓的羅莉塔離鄉背井到台灣的安養院工作,她自我解嘲唱著「No Money, No Honey! 」羅莉塔在安養院認識了幾位同鄉,她們為台灣子女盡孝道,日復一日照顧衰老的身軀,獨自忍受在異國的寂寞。面對麵包與情感的兩難,她們該如何抉擇?

In order to send her two daughters to university, Lolita from the Philippines left her homeland and ventured to Taiwan to work at a nursing home. She self-deprecatingly sung, "No Money, No Honey!" Lolita befriended several fellow countrywomen at the nursing home, all of whom were there to cover the filial duty. Day after day, they cared for the frail bodies of the elderly, enduring the loneliness of being in a foreign land. Faced with the dilemma of "bread and love," how would they make their choices?

【導演介紹】

李靖惠 導演

李靖惠畢業於台南藝術大學音像紀錄研究所,目前擔任大葉大學視覺傳達設計學系的副教授。1996年,李靖惠的外婆外公先後住進安養院,這個經歷啟發她開始關注老人和女性的生命故事,並且持續創作她的「家國四部曲」系列作品。從家人照顧外祖父和外祖母的經驗,她的關注範圍逐漸擴展到其他家庭,最終延伸至跨國來台灣照顧老人的外籍看護工。

Lee Ching-hui

In 1996, Lee Ching-hui's grandparents successively entered nursing homes. This experience inspired her to start focusing on the life stories of the elderly and women, leading to her continuous creation of the "Homeland Quartet" series. Stemming from her family's care for her grandparents, her attention gradually expanded to encompass other families and eventually extended to foreign caregivers who come to Taiwan to care for the elderly, marking the culmination of her artistic exploration.

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